{"id":438,"date":"2021-02-03T11:52:10","date_gmt":"2021-02-03T11:52:10","guid":{"rendered":"http:\/\/61works.com\/onda\/?page_id=438"},"modified":"2021-02-03T13:27:46","modified_gmt":"2021-02-03T13:27:46","slug":"patron-yere-neden-6-yazdi","status":"publish","type":"page","link":"https:\/\/onda.com.tr\/tr\/patron-yere-neden-6-yazdi\/","title":{"rendered":"Patron yere neden 6 yazd\u0131?"},"content":{"rendered":"
\n

(Bu makale Sabah Gazetesi \u0130\u015fte \u0130nsan’da yay\u0131nlanm\u0131\u015ft\u0131r.)<\/h3>\n

Rekabet yarat\u0131c\u0131l\u0131\u011f\u0131 ortaya \u00e7\u0131karmasayd\u0131 minaresine asla ku\u015flar\u0131n pislemedi\u011fi \u015eemsi Pa\u015fa Camii olmazd\u0131. Picasso ve Matisse\u2019ye ait y\u00fczlerce \u015faheser, Adidas ve Puma markalar\u0131 da\u2026<\/p>\n

Rekabetin olu\u015ftu\u011fu ortamlarda ortaya \u00e7\u0131kan dinamizm, yarat\u0131c\u0131l\u0131k, y\u00f6nde\u015flik ve sinerji tarihte pek \u00e7ok e\u015fsiz eserin yarat\u0131lmas\u0131nda etkili olmu\u015f. Sanatta, politikada, bilimde, sporda, askerlikte, mimarl\u0131kta ve pek \u00e7ok farkl\u0131 alanda ya\u015fanan yarat\u0131c\u0131 rekabetler g\u00fcn\u00fcm\u00fcz sanat\u0131, bilimi, ekonomisi ve k\u00fclt\u00fcr\u00fcn\u00fcn kilometre ta\u015flar\u0131n\u0131 olu\u015fturmu\u015f.
\nTarihimizde de rekabetten do\u011fan ilgin\u00e7 bir mimari eser bulundu\u011funu biliyor muydunuz? 1580 y\u0131l\u0131nda yap\u0131lm\u0131\u015f olan \u015eemsi Pa\u015fa Camii\u2026 Hikayesi \u015f\u00f6yle: Fazlas\u0131yla titiz bir ki\u015fi olan \u015eemsi Pa\u015fa, Sokullu Mehmet Pa\u015fa ile s\u00fcrekli rekabet halindeymi\u015f.<\/p>\n

\u015eemsi Pa\u015fa bir g\u00fcn Sokullu’ya, \u201cSokullu, camiini ku\u015flar pislemi\u015f\u201d diye tak\u0131l\u0131nca, \u201cG\u00f6ky\u00fcz\u00fcne a\u00e7\u0131k olan her yer ku\u015flar\u0131n pislemesine m\u00fcsaittir\u201d cevab\u0131n\u0131 alm\u0131\u015f.
\nPa\u015fa, cami yapt\u0131rmaya karar verince Sokullu’nun s\u00f6z\u00fc akl\u0131na gelmi\u015f. Mimar Sinan’a giderek, \u201cBana \u00f6yle bir yerde cami yap ki \u00fczerine ku\u015flar pislemesin\u201d demi\u015f.
\nSinan, b\u00fct\u00fcn camilerinde yapt\u0131\u011f\u0131 gibi iyi bir ara\u015ft\u0131rmadan sonra kuzey- g\u00fcney r\u00fczg\u00e2rlar\u0131n\u0131n kesi\u015fti\u011fi bu noktay\u0131 bulmu\u015f. Dalgalar\u0131n k\u0131y\u0131ya \u00e7arpmas\u0131yla meydana gelen titre\u015fimleri incelemi\u015f ve camiyi burada yapmaya karar vermi\u015f.<\/p>\n

Camiyi \u00f6yle bir noktaya yapm\u0131\u015f ki r\u00fczgar\u0131n kesi\u015fmesi sonucu kubbe hi\u00e7bir \u015fekilde kirlenmiyormu\u015f\u2026 Yarat\u0131c\u0131 rekabet, yarat\u0131c\u0131 d\u00fc\u015f\u00fcnce ile birle\u015fince g\u00fcn\u00fcm\u00fcze miras kalm\u0131\u015f bir eserin yan\u0131 s\u0131ra ayn\u0131 zamanda yeni bir yap\u0131m tekni\u011fi de ortaya \u00e7\u0131km\u0131\u015f.<\/p>\n

Rekabetten do\u011fan sava\u015flar, yarat\u0131c\u0131 fikirler sonucunda kal\u0131c\u0131 eserlere d\u00f6n\u00fc\u015fm\u00fc\u015f\u2026
\nFarkl\u0131 d\u00fc\u015f\u00fcnmeye odakl\u0131 yarat\u0131c\u0131 beyinler, ezeli rekabetleri sava\u015f senaryolar\u0131ndan uzakla\u015ft\u0131rm\u0131\u015f ve rekabeti e\u011flenceli bir anlat\u0131m ile sanata aktarm\u0131\u015flar.
\n\u00d6rne\u011fin Roma-Galya rekabeti 29 Ekim 1959 y\u0131l\u0131nda Pilote Dergisi\u2019nde Alberto Uderzo ile Rene Goscinny \u00e7izim ve senaryolar\u0131 ile sanata d\u00f6n\u00fc\u015fm\u00fc\u015f ve g\u00fcn\u00fcm\u00fcze kadar Asterix\u2019in Maceralar\u0131 ad\u0131 ile \u00e7izgi roman, \u00e7izgi fim ve beyazperde uyarlamalar\u0131 olarak gelmi\u015f.<\/p>\n

Yine rekabetin yarat\u0131c\u0131l\u0131k etkisinin \u00e7ok \u00e7arp\u0131c\u0131 \u00f6rneklerinden biri Picasso ile Matisse aras\u0131nda ya\u015fanan rekabettir. \u0130ki \u00fcnl\u00fc ressam, ancak Picasso\u2019nun ya\u015fam\u0131n\u0131n son y\u0131llar\u0131nda dost olmu\u015flard\u0131r. Y\u0131llarca s\u00fcren bu rekabet sonucu ortaya farkl\u0131 konseptler i\u00e7eren y\u00fczlerce sanat \u015faheseri \u00e7\u0131km\u0131\u015ft\u0131r.<\/p>\n

Rekabetin geli\u015ftirici etkisi d\u00fcnyada farkl\u0131 alanlarda d\u00fczenlenen yar\u0131\u015fmalar\u0131n sonu\u00e7lar\u0131nda da izleniyor. Amerika\u2019n\u0131n Churchville \u015fehrinde 13 y\u0131ld\u0131r \u201cInternational Waterlily & Water Gardening Society\u201d taraf\u0131ndan uluslararas\u0131 bir botanik yar\u0131\u015fmas\u0131 yap\u0131l\u0131yor. Bir y\u0131l boyunca \u00fclkelerinde birbirinden g\u00fczel nil\u00fcfer \u00e7i\u00e7ekleri yeti\u015ftirenler y\u0131l sonunda eserlerini sergiliyorlar. Bu yarat\u0131c\u0131 rekabet sonucu Monet\u2019nin nil\u00fcferleri her y\u0131l hayat buluyor. Bunun yan\u0131 s\u0131ra onlarca \u00fclkede botanik bilimcileri yarat\u0131c\u0131l\u0131klar\u0131n\u0131 ortaya koyarak do\u011faya arma\u011fanlar veriyorlar\u2026
\nYine bug\u00fcn iki dev spor markas\u0131 Adidas ve Puma, \u0130kinci D\u00fcnya Sava\u015f\u0131 sonras\u0131 iki karde\u015fin darg\u0131nl\u0131\u011f\u0131 sonucu ya\u015fanan rekabetten ortaya \u00e7\u0131km\u0131\u015f iki markad\u0131r. Burada yarat\u0131c\u0131 rekabet unsuru ise, iki karde\u015fin darg\u0131nl\u0131k noktas\u0131nda dahi rekabet etmek \u00fczere yola \u00e7\u0131karken Dassler soyadlar\u0131n\u0131 kullanmamak \u00fczere anla\u015fm\u0131\u015f olmalar\u0131 ve yarat\u0131c\u0131l\u0131klar\u0131n\u0131 kullanarak \u00e7ok k\u00fc\u00e7\u00fck bir kasabada iki farkl\u0131 markay\u0131 yaratm\u0131\u015f olmalar\u0131.<\/p>\n

\u201cNas\u0131l daha farkl\u0131, daha yarat\u0131c\u0131, daha \u00e7ok katk\u0131l\u0131 de\u011ferler \u00fcretiriz?\u201d Bu sorunun yan\u0131t\u0131 yenile\u015fimi, yenile\u015fim de rekabette \u00fcst\u00fcn olmay\u0131 beraberinde getiriyor. Elbette kal\u0131c\u0131l\u0131k i\u00e7in bunun s\u00fcreklili\u011fi her \u015feyden daha \u00f6nemli. \u0130\u015fte bu soruyu kendine soran Pakistanl\u0131 Nishtar da bak\u0131\u015f a\u00e7\u0131s\u0131 ile tar\u0131m bankac\u0131l\u0131\u011f\u0131nda yarat\u0131c\u0131 rekabete \u00f6nc\u00fcl\u00fck etti. Kredi g\u00f6revlilerini masalar\u0131ndan kald\u0131rd\u0131 ve motosikletlere bindirdi. Banka \u00e7al\u0131\u015fanlar\u0131na tar\u0131m dersleri ald\u0131rd\u0131, onlar\u0131 k\u0131rsal kesime yollad\u0131. Kredi verme konusunda \u00e7ift\u00e7iye \u00f6neride bulunan bankac\u0131lar, ayn\u0131 zamanda hasat zaman\u0131 ekinlerin toplanmas\u0131na da yard\u0131m ettiler. Bankac\u0131l\u0131kta yarat\u0131c\u0131 bir rekabet ortaya \u00e7\u0131kt\u0131, ayn\u0131 zamanda yarat\u0131c\u0131 rekabette b\u00fct\u00fcnle\u015fmi\u015f de\u011ferlerin de m\u00fckemmel bir \u00f6rne\u011fi oldular.
\nKendimizle rekabet etmek, hayat s\u00fcre\u00e7lerinde farkl\u0131 platformlarda di\u011fer ki\u015filerle rekabet etmenin \u00f6n\u00fcnde gelen bir temeldir. A\u00e7\u0131k rekabet ortamlar\u0131nda \u00f6n s\u0131ralarda yer almak, etkinlik ve verimlilik ad\u0131na yarat\u0131c\u0131 rekabete katk\u0131 sa\u011flamak i\u00e7in \u00f6nce varmak istedi\u011fimiz noktay\u0131 belirlemeli ve kendimiz ile rekabet etmeliyiz. En \u00fcst noktalarda ortaya \u00e7\u0131kan yarat\u0131c\u0131l\u0131k ki\u015finin kendisi ile rekabetinin sonucudur.<\/p>\n

Etik bir rekabet ortam\u0131nda kendimiz ile rekabet verimi artt\u0131r\u0131r\u2026<\/p>\n

\u00dcnl\u00fc sanayici Charles Schwab’\u0131n, istedi\u011fi kadar verim alamad\u0131\u011f\u0131 bir fabrikas\u0131 vard\u0131. Bir g\u00fcn ustaba\u015f\u0131 ile konu\u015furken bu kadar becerikli olmas\u0131na ra\u011fmen neden fabrikadan istedi\u011fi verimi alamad\u0131\u011f\u0131n\u0131 sordu.<\/p>\n

\u0130\u015f\u00e7ileri \u00e7ok \u00e7al\u0131\u015ft\u0131rd\u0131\u011f\u0131, hatta i\u015ften atmakla tehdit etti\u011fi halde yine de istedi\u011fi sonucu alamad\u0131\u011f\u0131 yan\u0131t\u0131n\u0131 verdi ustaba\u015f\u0131. Bunun \u00fczerine Schwab yak\u0131n\u0131nda duran bir i\u015f\u00e7iye \u201cBug\u00fcn ka\u00e7 kazan \u00e7elik erittiniz?” sorusunu sordu. O g\u00fcn alt\u0131 kazan \u00e7elik eritmi\u015flerdi. Schwab bir tebe\u015fir par\u00e7as\u0131 alarak yere b\u00fcy\u00fck bir alt\u0131 yazd\u0131 ve gitti. Gece i\u015f\u00e7ileri geldi\u011fi zaman bu alt\u0131 rakam\u0131n\u0131n ne oldu\u011funu sordular. G\u00fcnd\u00fcz i\u015f\u00e7ileri de: “Patron bug\u00fcn buradayd\u0131; bize ka\u00e7 kazan \u00e7elik eritti\u011fimizi sordu alt\u0131 cevab\u0131n\u0131 verdik. Buraya \u2018alt\u0131\u2019 yazd\u0131 gitti” dediler.<\/p>\n

Ertesi g\u00fcn Schwab fabrikay\u0131 yine dola\u015ft\u0131. Alt\u0131 rakam\u0131 silinmi\u015f ve yerine yedi yaz\u0131lm\u0131\u015ft\u0131. G\u00fcnd\u00fcz i\u015f\u00e7ileri gelince yediyi g\u00f6rd\u00fcler. Demek gece \u00e7al\u0131\u015fanlar kendilerinden daha iyi i\u015f yapt\u0131klar\u0131n\u0131 zannediyorlard\u0131. Kendilerini gece i\u015f\u00e7ilerinden \u00fcst\u00fcn g\u00f6stermek i\u00e7in b\u00fcy\u00fck bir gayretle \u00e7al\u0131\u015ft\u0131lar ve yere on yazd\u0131lar. \u00c7ok ge\u00e7meden fabrikan\u0131n verimi o civardaki b\u00fct\u00fcn fabrikalar\u0131 ge\u00e7ti. Nas\u0131l m\u0131? Schwab bu durumu \u015f\u00f6yle a\u00e7\u0131kl\u0131yor: “\u0130\u015f yapt\u0131rmak i\u00e7in rekabet hissini uyand\u0131rmak gerekir. Ama\u00e7 herkesi m\u00fccadeleye sevk etmek de\u011fildir. Onlar\u0131 birbirine \u00fcst\u00fcn gelmeye te\u015fvik etmektir. \u00dcst\u00fcn gelme hissi insanlar\u0131n ruhunu co\u015fturur.”<\/p>\n

Bir an i\u00e7in g\u00fcnl\u00fck i\u015f ak\u0131\u015f\u0131 s\u0131ras\u0131nda yap\u0131lan basit bir eylem yarat\u0131c\u0131 bir hamleye d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fc\u2026<\/p>\n

Kendimiz ile rekabet etmenin en \u00f6nemli \u015fartlar\u0131ndan biri ne istedi\u011fimizi bilmektir. Robert Collier\u2019in \u00c7a\u011flar\u0131n S\u0131rr\u0131 kitab\u0131nda bahsetti\u011fi gibi; bir \u015feyi elde etme \u015fans\u0131na sahip olmak i\u00e7in \u00f6nce o \u015feyin ne oldu\u011funu bilmelisiniz.
\nAlaaddin istedi\u011fi \u015feyleri zihninde a\u00e7\u0131k\u00e7a canland\u0131rmasayd\u0131 Cin hi\u00e7bir i\u015fe yaramazd\u0131\u2026<\/p>\n

Mehmet Acar\n<\/p><\/div>","protected":false},"excerpt":{"rendered":"

(Bu makale Sabah Gazetesi \u0130\u015fte \u0130nsan’da yay\u0131nlanm\u0131\u015ft\u0131r.) Rekabet yarat\u0131c\u0131l\u0131\u011f\u0131 ortaya \u00e7\u0131karmasayd\u0131 minaresine asla ku\u015flar\u0131n pislemedi\u011fi \u015eemsi Pa\u015fa Camii olmazd\u0131. Picasso ve Matisse\u2019ye ait y\u00fczlerce \u015faheser, Adidas ve Puma markalar\u0131 da\u2026 Rekabetin olu\u015ftu\u011fu ortamlarda ortaya \u00e7\u0131kan dinamizm, yarat\u0131c\u0131l\u0131k, y\u00f6nde\u015flik ve sinerji tarihte pek \u00e7ok e\u015fsiz eserin yarat\u0131lmas\u0131nda etkili olmu\u015f. Sanatta, politikada, bilimde, sporda, askerlikte, mimarl\u0131kta ve […]<\/p>","protected":false},"author":1,"featured_media":482,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-438","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/onda.com.tr\/tr\/wp-json\/wp\/v2\/pages\/438"}],"collection":[{"href":"https:\/\/onda.com.tr\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/onda.com.tr\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/onda.com.tr\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/onda.com.tr\/tr\/wp-json\/wp\/v2\/comments?post=438"}],"version-history":[{"count":1,"href":"https:\/\/onda.com.tr\/tr\/wp-json\/wp\/v2\/pages\/438\/revisions"}],"predecessor-version":[{"id":439,"href":"https:\/\/onda.com.tr\/tr\/wp-json\/wp\/v2\/pages\/438\/revisions\/439"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/onda.com.tr\/tr\/wp-json\/wp\/v2\/media\/482"}],"wp:attachment":[{"href":"https:\/\/onda.com.tr\/tr\/wp-json\/wp\/v2\/media?parent=438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}