{"id":416,"date":"2021-02-03T11:35:40","date_gmt":"2021-02-03T11:35:40","guid":{"rendered":"http:\/\/61works.com\/onda\/?page_id=416"},"modified":"2021-02-03T13:23:58","modified_gmt":"2021-02-03T13:23:58","slug":"haydi-medici-etkisine","status":"publish","type":"page","link":"https:\/\/onda.com.tr\/tr\/haydi-medici-etkisine\/","title":{"rendered":"Haydi Medici Etkisine"},"content":{"rendered":"
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(Bu makale Sabah Gazetesi \u0130\u015fte \u0130nsan’da yay\u0131nlanm\u0131\u015ft\u0131r.)<\/h3>\n

Materyalizm yerine manevi de\u011fer ve duygusal tatminin \u00f6n plana \u00e7\u0131kaca\u011f\u0131 yak\u0131n gelecekte insanlar yarat\u0131c\u0131l\u0131\u011f\u0131n en \u00f6nemli kriterler aras\u0131nda oldu\u011fu sekt\u00f6rlerde \u00e7al\u0131\u015facak\u2026<\/p>\n

QWERTYUIOP\u2026<\/p>\n

Yukar\u0131daki harf dizilimini hemen hemen her g\u00fcn \u00e7al\u0131\u015f\u0131rken parmaklar\u0131m\u0131z\u0131n her dokunu\u015funda bir kez daha g\u00f6r\u00fcyoruz. Basit, bununla beraber etkileyici ve yarat\u0131c\u0131kta bir hikayesi var bu harflerin. Roger Von Oech\u2019in anlat\u0131m\u0131 ile hikaye \u015fu \u015fekilde geli\u015fiyor: 1870\u2019lerde d\u00f6nemin \u00f6nde gelen daktilo \u00fcreticisi Sholes & Co., m\u00fc\u015fterilerinden h\u0131zl\u0131 yaz\u0131\u015fmalarda harflerin tak\u0131ld\u0131\u011f\u0131na dair \u015fikayetler al\u0131yor. Hemen m\u00fchendislerden konunun detayl\u0131 incelenmesi isteniyor. M\u00fchendisler bir araya toplan\u0131yor ve i\u00e7lerinden biri olduk\u00e7a yarat\u0131c\u0131 bir fikri ortaya at\u0131yor: \u201cPeki ya daktiloyu kullanan ki\u015fiyi yava\u015flatmay\u0131 ba\u015far\u0131rsak? Bunu yapabilirsek harfler eskisi gibi birbirine tak\u0131lmaz.\u201d M\u00fchendisler \u0130ngilizcede \u00e7ok s\u0131k kullan\u0131lan \u201cO\u201d ve \u201cI\u201d harflerini \u00f6yle bir s\u0131raya yerle\u015ftirdiler ki art\u0131k daktilo kullanan ki\u015finin daha g\u00fc\u00e7s\u00fcz olan parmaklar\u0131 bu tu\u015flara basacakt\u0131. Bu harika fikir sayesinde tu\u015f tak\u0131lmalar\u0131n\u0131n \u00f6n\u00fcne ge\u00e7ildi.<\/p>\n

Yarat\u0131c\u0131 d\u00fc\u015f\u00fcnmek farkl\u0131 bak\u0131\u015fa sahip olmay\u0131 gerektirir, d\u00fc\u015f\u00fcncelerimizin s\u0131n\u0131rlar\u0131n\u0131 zorlamazsak yarat\u0131c\u0131l\u0131\u011f\u0131m\u0131z\u0131n h\u0131z s\u0131n\u0131r\u0131n\u0131 da \u00f6l\u00e7memiz m\u00fcmk\u00fcn olmaz. Bakt\u0131\u011f\u0131m\u0131z her noktada, ya\u015fad\u0131\u011f\u0131m\u0131z her ileti\u015fim an\u0131nda, g\u00f6rd\u00fc\u011f\u00fcm\u00fcz her eski veya yeni g\u00f6r\u00fcnt\u00fcde bir farkl\u0131l\u0131k ararsak ve zihnimizde canlanan her an\u0131n faydas\u0131na ve fazlas\u0131na odaklan\u0131rsak bu anlar yarat\u0131c\u0131l\u0131\u011f\u0131m\u0131z\u0131n etiketlendi\u011fi anlara d\u00f6n\u00fc\u015f\u00fcr. \u0130\u015f ya\u015fant\u0131m\u0131zda yarat\u0131c\u0131l\u0131\u011f\u0131m\u0131z ancak sergiledi\u011fimiz noktalarda fark yarat\u0131r ve i\u015fimize katk\u0131 sa\u011flar. O halde h\u0131z s\u0131n\u0131r\u0131m\u0131z nedir? Ne kadar yarat\u0131c\u0131y\u0131z, yarat\u0131c\u0131 bak\u0131\u015f a\u00e7\u0131m\u0131z\u0131 nas\u0131l geni\u015fletiriz? Yarat\u0131c\u0131l\u0131\u011f\u0131m\u0131z\u0131n ufuk \u00e7izgisi ne kadar uza\u011f\u0131m\u0131zda? \u015eimdi bu sorular\u0131n yan\u0131tlar\u0131n\u0131 kendi kendimize verelim ve yarat\u0131c\u0131l\u0131\u011f\u0131m\u0131z\u0131 \u00f6nce ke\u015ffedelim sonra geli\u015ftirelim\u2026<\/p>\n

Frans\u0131z yazar Andre Gide\u2019nin s\u00f6yledi\u011fi gibi \u201cA\u00e7\u0131lmam\u0131\u015f kanatlar\u0131n b\u00fcy\u00fckl\u00fc\u011f\u00fc bilinmez.\u201d<\/p>\n

\u00c7ocukken ne kadar \u00e7ok soru soruyordunuz, de\u011fil mi? Hala \u00e7ok soru soruyor musunuz? Bazen bir tak\u0131m \u015feylerin karma\u015f\u0131kl\u0131\u011f\u0131 veya g\u00fczelli\u011fi sizi merakland\u0131r\u0131yor mu? Bunlar\u0131n nas\u0131l \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131, nas\u0131l yap\u0131ld\u0131\u011f\u0131n\u0131, ya\u015fam\u0131n\u0131za nas\u0131l girdi\u011fini bilmek istiyor musunuz? Bu sorular ne kadar yarat\u0131c\u0131 oldu\u011funuzu a\u00e7\u0131\u011fa \u00e7\u0131karan sorulardan sadece birka\u00e7\u0131\u2026 Yarat\u0131c\u0131l\u0131\u011f\u0131m\u0131z\u0131 \u00f6l\u00e7erken s\u0131n\u0131rlar\u0131m\u0131z\u0131 g\u00f6rebiliyor muyuz? Ya da yarat\u0131c\u0131l\u0131\u011f\u0131m\u0131z artt\u0131k\u00e7a, daha da yarat\u0131c\u0131 d\u00fc\u015f\u00fcnd\u00fck\u00e7e ve \u201cba\u015fka\u201d sorusunu kendimize sorduk\u00e7a ufuk \u00e7izgimizin s\u0131n\u0131rlar\u0131 her ge\u00e7en g\u00fcn daha m\u0131 geni\u015fliyor?<\/p>\n

Asl\u0131nda yarat\u0131c\u0131l\u0131k sahip olduklar\u0131m\u0131z\u0131 kendi s\u0131n\u0131rlar\u0131m\u0131z i\u00e7erisinde bir mucizeye \u00e7evirme yetene\u011fidir. Bonita L. Anticola\u2019n\u0131n dedi\u011fi gibi \u201cEn olmayacak yerde, en olmayacak zamanda, en olmayacak olay, her zaman ve her yerde olabilir. Mucize.\u201d Yarat\u0131c\u0131 ki\u015filiklerin de\u011fer g\u00f6rd\u00fc\u011f\u00fc ortamlarda, yarat\u0131c\u0131 d\u00fc\u015f\u00fcncelerin bir araya gelmesi ile olu\u015fan sinerjiler tarihte \u00e7a\u011flara damgas\u0131n\u0131 vurmu\u015ftur. Yarat\u0131c\u0131 ekiplerin olu\u015fumuna imkan veren ve \u00e7al\u0131\u015fmalar\u0131 i\u00e7in te\u015fvik eden imparatorluklar, devletler, krall\u0131klar, \u015fehir y\u00f6netimleri geli\u015fim, ilerleme ve verimlilikle \u00f6d\u00fcllendirilmi\u015flerdir. Bu konuda \u00e7ok \u00e7arp\u0131c\u0131 \u00f6rneklerden biri de \u201cMedici Etkisi\u201d dir.<\/p>\n

Medici Ailesi, farkl\u0131 disiplinlerden insanlar\u0131 Floransa\u2019da bir araya getirme konusunda arac\u0131 olarak R\u00f6nesans\u2019\u0131n en g\u00fc\u00e7l\u00fc tetikleyicisi oldu. Bizler de kurumlar\u0131m\u0131zda farkl\u0131 uzmanl\u0131k alanlar\u0131ndan gelen yarat\u0131c\u0131 ekipler ve liderleri bir araya getirerek \u201cMedici Etkisi\u201d yaratabiliriz.<\/p>\n

Medici\u2019ler, 13. ila 17. y\u00fczy\u0131llar aras\u0131nda Floransa\u2019n\u0131n en g\u00fc\u00e7l\u00fc ve en etkili ailesi olmu\u015flar ve bu d\u00f6nem i\u00e7inde de Avrupa\u2019n\u0131n en zengin ailesi olma unvan\u0131n\u0131 ellerinde tutmu\u015flar.<\/p>\n

Asl\u0131nda \u00e7ok mazbut bir esnaf olarak i\u015fe ba\u015flayan aile, ba\u015flarda t\u0131bbi cihazlar satan bir k\u00fc\u00e7\u00fck i\u015fletmeymi\u015f. Bir g\u00f6r\u00fc\u015fe g\u00f6re, Medici ismi de t\u0131bbi ticareti ifade eden medico kelimesinden t\u00fcretilmi\u015f. Daha sonra bankac\u0131l\u0131k alan\u0131na girmi\u015fler ve sahip olduklar\u0131 Medici Bank, Avrupa\u2019n\u0131n en zengin ve en sayg\u0131n bankas\u0131 haline gelmi\u015f. Bu insanlar ayn\u0131 zamanda yarat\u0131c\u0131l\u0131\u011f\u0131 seven, sorgulay\u0131c\u0131 insanlarm\u0131\u015f. Onlar\u0131n bu meraklar\u0131 sayesindedir ki bug\u00fcn bile muhasebede kulland\u0131\u011f\u0131m\u0131z \u00e7ift kay\u0131tl\u0131 muhasebe sistemi Mediciler d\u00f6neminde geli\u015ftirilmi\u015f. Yarat\u0131c\u0131 bulu\u015flar\u0131n, farkl\u0131 tecr\u00fcbelerle farkl\u0131 uzmanl\u0131klar\u0131n kesi\u015fme noktalar\u0131nda ortaya \u00e7\u0131kmas\u0131 olarak tan\u0131mlanan \u201cMedici Etkisi\u201d ilk kez Frans Johansson isimli yazar taraf\u0131ndan ifade edilmi\u015f.<\/p>\n

Yarat\u0131c\u0131l\u0131k s\u00fcreci yarat\u0131c\u0131 d\u00fc\u015f\u00fcncenin yan\u0131 s\u0131ra merak, ara\u015ft\u0131rma, okuma, bilgi edinme, \u00f6\u011frenme ve her \u015feyi bilme ile birlikte do\u011fan ve geli\u015fen bir s\u00fcre\u00e7. Bu s\u00fcre\u00e7teki ara\u00e7lar\u0131n etkili kullan\u0131lmas\u0131 sonucu g\u00fcn\u00fcm\u00fczde pek \u00e7ok yenilik\u00e7i ve yarat\u0131c\u0131 \u00fcr\u00fcn ve i\u015f alan\u0131 ortaya \u00e7\u0131km\u0131\u015ft\u0131r. \u00c7\u00fcnk\u00fc y\u00fcksek katma de\u011fer \u00fcretmek i\u00e7in yarat\u0131c\u0131 olmak bir gerekliliktir. En iyi fikri bulan, en yarat\u0131c\u0131 \u00fcr\u00fcn\u00fc geli\u015ftiren, hem \u00fcr\u00fcn ortaya \u00e7\u0131kmadan \u00f6nce fikri hem de ortaya \u00e7\u0131kt\u0131ktan sonra \u00fcr\u00fcn\u00fc satabilenler kazan\u0131r\u2026<\/p>\n

\u00d6rne\u011fin\u2026<\/p>\n

Amerika\u2019n\u0131n Alabama eyaletinde ya\u015fayan Francisco Guerra ve Brian Glover adl\u0131 iki giri\u015fimci \u015fahs\u0131n \u201cbulutlardan \u015fekiller olu\u015ftursak nas\u0131l olur\u201d sorusuyla ba\u015flatt\u0131klar\u0131 \u00e7al\u0131\u015fmalar sonucu ortaya \u00e7\u0131kard\u0131klar\u0131 ve temelinde logolar\u0131n g\u00f6ky\u00fcz\u00fcnde bulut gibi u\u00e7malar\u0131n\u0131 sa\u011flad\u0131klar\u0131, \u00e7evreye duyarl\u0131, alternatif bir reklam mecras\u0131\u2026 A\u00e7\u0131khava etkinliklerinde uygun bir konuma yerle\u015ftirilen bir Flogo cihaz\u0131 her 15 saniyede bir logonuzun g\u00f6ky\u00fcz\u00fcnde s\u00fcz\u00fclmesini sa\u011fl\u0131yor.<\/p>\n

Golden Hook, m\u00fc\u015fteriye kendi se\u00e7imiyle bere-\u015fapka tasarlatmakla kalmay\u0131p, \u015fapkay\u0131 \u00f6recek b\u00fcy\u00fckanneyi bile se\u00e7ebilmeye imkan veren harika bir internet giri\u015fimi. Sat\u0131n almak isteyece\u011finiz \u015fapka modelini se\u00e7ip, gerekli t\u00fcm se\u00e7imleri yapt\u0131ktan sonra kar\u015f\u0131n\u0131za \u00e7\u0131kan b\u00fcy\u00fckannelerden birini se\u00e7meniz yetiyor. El eme\u011fi i\u015flere katk\u0131 sa\u011flayacak m\u00fckemmel bir fikir! “Sen tasarla. B\u00fcy\u00fckanne \u00f6rs\u00fcn”<\/p>\n

Gelece\u011fin i\u015f d\u00fcnyas\u0131 yarat\u0131c\u0131 insanlarla \u00e7al\u0131\u015facak<\/p>\n

Ralf Jensen Danimarkal\u0131 bir yazar, ayn\u0131 zamanda bir gelecek uzman\u0131. \u201cHayal Toplumu\u201d adl\u0131 kitab\u0131nda h\u0131zla de\u011fi\u015fen d\u00fcnyada toplumun yak\u0131n zamanda ge\u00e7irece\u011fi evrimin bir sonucu olarak hayal g\u00fcc\u00fcn\u00fcn ve yarat\u0131c\u0131l\u0131\u011f\u0131n insan\u0131 tan\u0131ma ve de\u011ferlendirmede \u00e7ok \u00f6nemli bir rol oynayaca\u011f\u0131n\u0131 belirtiyor. Jensen\u2019e g\u00f6re yak\u0131n gelecekte insanlar yarat\u0131c\u0131l\u0131\u011f\u0131n en \u00f6nemli kriterler aras\u0131nda oldu\u011fu sekt\u00f6rlerde \u00e7al\u0131\u015facaklar, materyalist d\u00fc\u015f\u00fcnceler bir kenara b\u0131rak\u0131lacak ve manevi de\u011ferler ile duygusal tatmin \u00f6n plana \u00e7\u0131kacak. K\u0131sacas\u0131 hayal g\u00fcc\u00fcn\u00fc ortaya koyabilen yarat\u0131c\u0131 bireylerin de\u011fer katt\u0131\u011f\u0131 bir toplum ortaya \u00e7\u0131kacak.<\/p>\n

Yarat\u0131c\u0131l\u0131k bir sihir ya da ula\u015f\u0131lamayacak bir \u00fctopya de\u011fil, ki\u015finin iste\u011fi ve fark\u0131ndal\u0131\u011f\u0131 ile do\u011fru orant\u0131l\u0131 olarak sonradan \u00f6\u011frenilebilecek ve geli\u015ftirilebilecek bir \u00f6zellik. Yarat\u0131c\u0131l\u0131k ayn\u0131 zamanda g\u00fcn\u00fcm\u00fcz i\u015f d\u00fcnyas\u0131nda rekabetin yo\u011fun ya\u015fand\u0131\u011f\u0131 dinamik, s\u00fcrekli ara\u015ft\u0131rma ve geli\u015ftirme ile desteklenen ortamlarda camdan giren ve ortama enerji katan bir esinti, bir r\u00fczgar. Yarat\u0131c\u0131l\u0131k bir besin kayna\u011f\u0131, \u00f6ylesine bir besin kayna\u011f\u0131 ki insan g\u00fcc\u00fcn\u00fc, insan kayna\u011f\u0131n\u0131, \u00fcretimi, finans\u0131, markay\u0131, reklam\u0131, \u00fcr\u00fcn\u00fc, sat\u0131\u015f\u0131, pazarlamay\u0131 besleyecek b\u00fcy\u00fckl\u00fckte\u2026<\/p>\n

G\u00fcn\u00fcm\u00fczde bu kadar \u00f6nem kazanan yarat\u0131c\u0131l\u0131k i\u015f s\u00fcre\u00e7lerinin her alan\u0131n\u0131 etkilerken global rekabette \u00e7ok uluslu \u015firketlerden k\u00f6\u015fe d\u00fckkanlar\u0131na kadar geni\u015f bir stratejiyi de i\u00e7inde bar\u0131nd\u0131r\u0131yor ve do\u011fru yerde do\u011fru zamanda desteklendi\u011finde ekonomik de\u011fere d\u00f6n\u00fc\u015f\u00fcyor. Ekonomik de\u011fere d\u00f6n\u00fc\u015fen yarat\u0131c\u0131l\u0131\u011f\u0131 anlatmaya en g\u00fczel \u00f6rneklerden biri eski bir avukat olan Nathan Sawaya\u2019n\u0131n lego par\u00e7alar\u0131ndan yapt\u0131\u011f\u0131 insan boyutunda heykeller\u2026 Sawaya\u2019n\u0131n \u201cTu\u011fla Sanat\u0131\u201d (The Art of the Brick) 15 bin dolardan al\u0131c\u0131 buluyor\u2026<\/p>\n

Dr. Min Basadur i\u015f hayat\u0131nda uygulanan yarat\u0131c\u0131l\u0131k s\u00fcre\u00e7lerinin isim babalar\u0131ndan biri. Good Year, Pepsi, P&G ve Nestle gibi \u00e7ok uluslu \u015firketlere dan\u0131\u015fmanl\u0131k yapan Basadur yarat\u0131c\u0131l\u0131\u011f\u0131n tan\u0131m\u0131n\u0131 son derece ak\u0131lda kal\u0131c\u0131 bir form\u00fcl ile ifade ediyor: \u201cYarat\u0131c\u0131l\u0131k = Bilgi x Hayal G\u00fcc\u00fc.\u201d<\/p>\n

Yarat\u0131c\u0131l\u0131k tan\u0131mlar\u0131 profesyonelliklere ve ki\u015filerin \u00e7al\u0131\u015fma i\u00e7erik ve alanlar\u0131na g\u00f6re farkl\u0131l\u0131k g\u00f6steriyor. Bununla beraber var\u0131lan ortak sonu\u00e7 ise yarat\u0131c\u0131l\u0131\u011f\u0131n kontrol kulesinin 24 saat boyunca \u00e7al\u0131\u015fan ve halen ke\u015ffedilmemi\u015f s\u0131rlar\u0131 oldu\u011fu d\u00fc\u015f\u00fcn\u00fclen insan beyni oldu\u011fu\u2026 Yarat\u0131c\u0131 d\u00fc\u015f\u00fcncelerin beynin sa\u011f yar\u0131mk\u00fcresinde olu\u015ftu\u011fu d\u00fc\u015f\u00fcn\u00fcle gelse de ara\u015ft\u0131rmalar beynin her iki yar\u0131m k\u00fcresinin de birbirine \u00e7ok benzedi\u011fini ve birisi olmadan di\u011ferinin de yarat\u0131c\u0131 s\u00fcre\u00e7lere net imzalar atamayaca\u011f\u0131n\u0131 ortaya koyuyor.<\/p>\n

Yarat\u0131c\u0131l\u0131k s\u00fcreci ki\u015finin kendisinde de zaman i\u00e7inde yenilik g\u00f6sterebilir, ki\u015finin yarat\u0131c\u0131l\u0131k kavram\u0131 farkl\u0131la\u015fabilir ve bu farkl\u0131l\u0131k uygulamalar\u0131na da yans\u0131yabilir. \u00d6rne\u011fin empresyonist ressam Henri Matisse ya\u015fam\u0131n\u0131n son evresinde f\u0131r\u00e7alar\u0131 harika ka\u011f\u0131t kesikleri yaratmak i\u00e7in kulland\u0131\u011f\u0131 makas ile de\u011fi\u015ftirerek sanat\u0131n\u0131 tekrar canland\u0131rm\u0131\u015ft\u0131r. Bu yeni teknik sanat\u00e7\u0131n\u0131n hem ya\u015fl\u0131l\u0131k d\u00f6neminde performans\u0131n\u0131n s\u00fcreklili\u011fini sa\u011flayabilmek, hem de yeni ve yarat\u0131c\u0131 davran\u0131\u015flar geli\u015ftirmek i\u00e7in uygulad\u0131\u011f\u0131 bir tekniktir. Yarat\u0131c\u0131 Davran\u0131\u015flar Dergisi Edit\u00f6r\u00fc Psikolog Dean Keith Simonton bu gibi deneyimlerin yarat\u0131c\u0131l\u0131\u011f\u0131n ba\u015far\u0131l\u0131 niteli\u011fi olarak ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 belirtiyor.<\/p>\n

Yarat\u0131c\u0131 ki\u015filer her zaman yeni \u015feyleri denemeye ve \u00f6\u011frenmeye a\u00e7\u0131kt\u0131rlar, yarat\u0131c\u0131l\u0131\u011f\u0131 ortaya \u00e7\u0131kmam\u0131\u015f ya da bu y\u00f6n\u00fcn\u00fc geli\u015ftirmeye istekli olmayan ki\u015filer ise yeniyi ve farkl\u0131y\u0131 \u00f6\u011frenmek bir yana denemekten bile ka\u00e7arlar. Onlar z\u0131tl\u0131klardan fayda do\u011fabilece\u011fini g\u00f6remezler.<\/p>\n

Oysa z\u0131tl\u0131klardan ve bozulan rutinlerden hi\u00e7 de hayal edilemeyecek b\u00fcy\u00fckl\u00fckte ke\u015fifler ve faydalar do\u011fabilir. Tarih\u00e7i Henry Hobson\u2019un dedi\u011fi gibi \u201cAmerika, karabiber ararken ke\u015ffedilmi\u015ftir.\u201d<\/p>\n

\u015eimdi yarat\u0131c\u0131l\u0131k ufuk \u00e7izginizi g\u00f6rmek i\u00e7in i\u00e7inizdeki \u00e7ocu\u011fu uyand\u0131r\u0131n, \u00e7ocuklara \u00f6zg\u00fc merak ile \u00e7evrenize bir kez daha bak\u0131n, hayal g\u00fcc\u00fcn\u00fcz\u00fc harekete ge\u00e7irin, yarat\u0131c\u0131l\u0131k s\u00fcrecinde hikayelerden, anekdotlardan ve metaforlardan yararlan\u0131n, metaforlar farkl\u0131 bir \u015fey d\u00fc\u015f\u00fcnmenize yard\u0131mc\u0131 olacak m\u00fcthi\u015f bir ara\u00e7t\u0131r:<\/p>\n

Ate\u015fb\u00f6ce\u011fi ger\u00e7ekte alev yaymaz.<\/p>\n

U\u011furb\u00f6ce\u011fi u\u011fur getirmez.<\/p>\n

\u0130ngiliz anahtar\u0131 \u0130ngiliz de\u011fil Frans\u0131z\u2019d\u0131r.<\/p>\n

Ger\u00e7ekte paran\u0131n esiri olmam\u0131z m\u00fcmk\u00fcn de\u011fildir.<\/p>\n

Piyasay\u0131 bo\u011famay\u0131z, paray\u0131 ak\u0131tamay\u0131z. Ama bu m\u00fcthi\u015f ara\u00e7 sayesinde hayat\u0131m\u0131zdaki her alanda yarat\u0131c\u0131l\u0131k kap\u0131lar\u0131n\u0131 rahatl\u0131kla a\u00e7abiliriz.<\/p>\n

Yarat\u0131c\u0131l\u0131\u011f\u0131n s\u0131rr\u0131 di\u011ferleri ile ayn\u0131 yere bakmak, ama farkl\u0131 \u015feyler d\u00fc\u015f\u00fcnmektir\u2026<\/p>\n

Mehmet Acar\n<\/p><\/div>","protected":false},"excerpt":{"rendered":"

(Bu makale Sabah Gazetesi \u0130\u015fte \u0130nsan’da yay\u0131nlanm\u0131\u015ft\u0131r.) Materyalizm yerine manevi de\u011fer ve duygusal tatminin \u00f6n plana \u00e7\u0131kaca\u011f\u0131 yak\u0131n gelecekte insanlar yarat\u0131c\u0131l\u0131\u011f\u0131n en \u00f6nemli kriterler aras\u0131nda oldu\u011fu sekt\u00f6rlerde \u00e7al\u0131\u015facak\u2026 QWERTYUIOP\u2026 Yukar\u0131daki harf dizilimini hemen hemen her g\u00fcn \u00e7al\u0131\u015f\u0131rken parmaklar\u0131m\u0131z\u0131n her dokunu\u015funda bir kez daha g\u00f6r\u00fcyoruz. Basit, bununla beraber etkileyici ve yarat\u0131c\u0131kta bir hikayesi var bu harflerin. […]<\/p>","protected":false},"author":1,"featured_media":493,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-416","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/onda.com.tr\/tr\/wp-json\/wp\/v2\/pages\/416"}],"collection":[{"href":"https:\/\/onda.com.tr\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/onda.com.tr\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/onda.com.tr\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/onda.com.tr\/tr\/wp-json\/wp\/v2\/comments?post=416"}],"version-history":[{"count":1,"href":"https:\/\/onda.com.tr\/tr\/wp-json\/wp\/v2\/pages\/416\/revisions"}],"predecessor-version":[{"id":417,"href":"https:\/\/onda.com.tr\/tr\/wp-json\/wp\/v2\/pages\/416\/revisions\/417"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/onda.com.tr\/tr\/wp-json\/wp\/v2\/media\/493"}],"wp:attachment":[{"href":"https:\/\/onda.com.tr\/tr\/wp-json\/wp\/v2\/media?parent=416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}